Still, unless works are created in the course of employment
10 or, say, as components of much larger works,
11 authors hold copyright. Why should they give up one iota more than absolutely necessary to be published? The short answer is that authors’ refusing to transfer all rights to publishers, at best, leads to wasted time and money. When publishers hold copyright, a single registration protects an entire composite work. Individual writers are, thus, spared the need to register separately — something most wouldn’t do anyway. Also, registration, particularly prompt registration, confers benefits that are foolish to ignore.
12
Although some argue that copyright is meaningless when digital piracy is so easy,
13 there is evidence that the public respects such rights — particularly when their function is understood. A
Boston Globe poll, conducted shortly before Strong’s talk showed that most people regard unauthorized copying as wrong.
14
Further, at least with regard to text and named works, it is often as easy to
catch pirates as it is for them to
be pirates.
15 If that weren’t enough, under the recent NET Act,
16 even noncommercial infringement, if willful, may be criminal.
17
That copyrights retain vitality in the cyberage and that publishers should hold them at the time of first publication, however, does not dispose of the question of who should hold them later. After registration, rights can be transferred back. Publishers may give authors such an option, retaining, for example, rights only to reprint back volumes or authorize inclusion in online databases such as Westlaw.
18 Yet, writers who have the option of taking most of their rights back should rarely exercise that right.
19
With the possible exception of those who earn their living from writing as such,
20 authors (and firms or universities that employ or otherwise fund them) benefit most from the widest possible dissemination of their work. To the extent that academic or professional journals keep copyright, this is facilitated. Those who wish to reproduce, say, for classroom use or inclusion in anthologies are more apt to approach publishers. To the extent that copyright is held by easily-found publishers, both dissemination of works and respect for copyright are fostered — and writers are spared much bother. In a related context, Laura N. Gasaway has aptly observed:
21 “Copyright holders need to simplify the permissions process for use of their materials... for both nonprofit and for-profit users. Until this is done, the temptation to use the work without permission will remain strong. ”
Further, publishers should not keep rights beyond those required for economic viability. More attention must be given to this: Sometimes reproduction is as likely to generate publicity and encourage submissions as to interfere with cost recoupment. For example, the editor of the
New England Journal of Medicine is quoted as saying “We allow authors to freely use their material — with no charge, no penalty, nothing” for paper copies.
22 However, he apparently restricts web access to paid subscribers.
23 Why is that important? Are randomly distributed copies linked to curriculum vitae or course pages, for example, likely to erode sales of printed copies or paid access to the full contents of any given journal? It seems doubtful.
Such basic issues seem repeatedly to be ignored. As even more recently described in
Science, a blue ribbon panel has proposed that, insofar as no copyright exists in works of federal employees, copyright in articles describing work done under federal grants be retained by their authors.
24 How one leads to the other is difficult to see, and how this would serve the committee’s apparent aim of facilitating dissemination is even less clear. Yet, an accompanying editorial
25 that largely rejected the committee’s proposal did no better in identifying or addressing the core issues raised above.
It would seem that publishers’ charging universities to photocopy their own faculties’ work is sparking needless controversy. Publishers who impose unnecessary restrictions on academics or their employers do themselves and others a disservice. It is difficult to imagine why authors, particularly ones who aren’t paid, should not usually have a royalty-free license to copy for students and colleagues -- either in hard copy or on the web. Publishers that fail to accord such rights without good, clearly stated, reasons seems ever more likely to disrupt a scheme that has heretofore benefitted authors, the public and publishers alike.
Notes
1 Copyright in the New World of Electronic Pub’g (June 17, 1994, Washington, D.C., online at
J. Elec. Publishing <
http://www.press.umich.edu/jep/works/strong.copyright.html>. [This and all following links were last visited Mar. 19, 1999.]
2 A Provost Challenges
His Faculty to Keep Copyright on Journal Articles, Chronicle of Higher Education , Sept. 18, 1998, at A29.
3 Id.
4 Strong,
supra note 1.
5 Online at <
http://theatlantic.com/unbound/forum/copyright/intro.htm>.
6 Sept. 1998, at 57 (cover story, online at <
http://theatlantic.com/issues/98sep/copy.htm>) (There is, of course, a serious problem with the title insofar as copyright does not protect
ideas; see, e.g., 17 U.S.C. § 102(b).).
7 Round two of three exchanges, online at <
http://theatlantic.com/unbound/forum/copyright/mann2.htm>.
8 Id.
9 See Daubert v. Merrell Dow Pharms., Inc., 509 U.S. 579 (1993);
see also, General Elec. Co. v. Joiner, 118 S.Ct. 512 (1997). (discussing the appropriate standards for district court rulings on the admissibility of scientific evidence).
10 See 17 U.S.C. § 101 (1996) (“work made for hire”).
11 Id., para. (2) of the definintion of “work made for hire”.
12 See 17 U.S.C. § 412 (1996) (prompt registration is a prerequisite to statutory damages and attorney fees).
13 A situation responsible for the No Electronic Theft (NET) Act , Pub. L. No. 105-147, 111 Stat. 2678 (1997), and partly responsible for the Digital Millennium Copyright Act, Pub. Law No. 105-304 (1998). The former is discussed briefly,
infra; the latter added, e.g., § 1101 (“Unauthorized fixation and trafficing iin sound recordings and music videos”) and § 1201 (“Circumvention of copyright protection systems”) to the Copyright Act. It is interesting that Congress was in such a rush at the end of 1998 that two Acts added a different, new § 512 to Title 17 of the U.S. Code.
See Unfair Competition, Trademark, Copyright and Patent: Selected Statutes and International Agreements, 241-242.10 (Paul Goldstein, Edmund W. Kitch & Harvey S. Perlman, eds. 1999).
14 Strong,
supra note 1. As described by Strong, the poll seems to have been conducted as a result of events leading up to United States v. LaMacchia, 871 F. Supp. 535 (D. Mass. 1994).
15 See, e.g. , Alta Vista (a web-based search engine) <
http://www.altavista.com/>.
See also, Eliot Marshall,
The Internet: A Powerful Tool for Plagiarism Sleuths, 279
Science 474 (1998) (discussing an algorithm that is particularly helpful where more than direct copying is involved).
16 The NET Act was primarily sparked by the blatant instance of non-commercial piracy addressed in
LaMacchia, 871 F. Supp. 535. The NET Act is codified in several sections of Titles 17 and 18 of the U.S. Code.
See, e.g., H.R. Rep. No. 105-339 (1997) (online at <
http://thomas.loc.gov/cgi-bin/cpquery/R?cp105:FLD010:@1(hr339):>.
17 NET Act § 2(b),
amending 17 U.S.C. § 506(a).
18 See, e.g., Publication Permission Form for
Risk: Health, Safety & Environment, available on request to author.
19 In nearly ten years, no one who has published in
Risk has asked for a return of rights;
see id.
20 See, e.g., Tasini v. The New York Times Co., 972 F. Supp. 804 (S.D.N.Y. 1997) [Rev'd 206 F.3d 161 (2d Cir. 2000); aff'd 533 U.S. 483 (2001) (publishers' rights to include free-lance work in, e.g., electronic databases requires explicit transfers from authors).]
21 Distance Learning and Copyright in the For-Profit Environment, ipFrontline, Oct. 1998, online at <
http://www.ip.com/ipFrontline/issues/current/guest_col.htm>.
22 Guernsey,
supra note 2.
23 Id.
24 Steven Bachrach et al.,
Who Should Own Scientific Papers? 281
Science 1459 (1998).
25 Floyd E. Bloom,
The Rightness of Copyright, 281
Science 1451 (1998).


Modified 6/6/99
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